WMS

Sabaton: Carolus Rex (Swedish/Blue/Yellow) [Gatefold / Vinyl LP]

On the exact day of its Golden Jubilee, STATION TO STATION will be issued as a limited edition 50th anniversary half-speed mastered picture disc LP with a reproduction of a poster used to advertise the album 50 years ago.<br/><br/>The album saw Bowie relocate to Cherokee Studio in Los Angeles and incorporate elements of his 'Plastic Soul' period, coupled with much more experimental elements, which would become more prevalent over his next couple of albums. The first single from the album GOLDEN YEARS, released in November 1975, would give Bowie a top ten single on both sides of the Atlantic. The second single, TVC 15, would, a decade later, be heard and seen by almost 2 billion people when Bowie chose it to open his set at Live Aid.<br/><br/>The sound of STATION TO STATION was partly influenced by Bowie's burgeoning interest in the electronic music and driving rhythms of bands coming out of Germany, such as NEU! and Kraftwerk, most notably on the ten-minute title track, while still embracing dancefloor-friendly grooves in songs such as STAY and GOLDEN YEARS.<br/><br/>Harry Maslin, who had worked with Bowie on some of the tracks on his previous album, YOUNG AMERICANS, was chosen as Bowie's co-producer. They entered the studio in September 1975 with a tight stripped-down band featuring Carlos Alomar & Earl Slick on guitars, George Murray on bass, Dennis Davis on drums, David's Childhood friend Geoffe MacCormack (under the nom de plume Warren Peace) on backing vocals and on loan from Bruce Springsteen's E-Street Band, Roy Bittan on piano and organ. Maslin has since said that the vocals on the standout track WILD IS THE WIND and GOLDEN YEARS were both Bowie's first takes.<br/><br/>Ten days after the album's release, David started the ISOLAR TOUR, which visited over 65 dates in 11 countries and is cited as being hugely influential for its use of banks of fluorescent white light set against black backdrops. At the end of the tour, Bowie started work on Iggy Pop's debut solo album, The Idiot, when the pair and producer Tony Visconti moved to Berlin to mix the record. David settled there, ready to begin his next groundbreaking musical adventure.<br/><br/>This new pressing of STATION TO STATION was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.

Black Sabbath's first official live album, Live Evil, celebrates its 40th anniversary this year with a new Super Deluxe Edition that introduces newly remixed and remastered versions of the acclaimed double album.<br/><br/>The collections feature two versions of the legendary album: a newly remastered version by Andy Pearce along with a new mix created from the original analog multi-tracks by longtime band associate Wyn Davis. The physical versions also come with illustrated hardback books that include new liner notes and replicas of the concert book and poster from the Mob Rules tour.<br/><br/>40th Anniversary Remaster (CDs 1-2)<br/>40th Anniversary New Mix (CDs 3-4)

On the exact day of its Golden Jubilee, STATION TO STATION will be issued as a limited edition 50th anniversary half-speed mastered LP. <br/><br/>The album saw Bowie relocate to Cherokee Studio in Los Angeles and incorporate elements of his 'Plastic Soul' period, coupled with much more experimental elements, which would become more prevalent over his next couple of albums. The first single from the album GOLDEN YEARS, released in November 1975, would give Bowie a top ten single on both sides of the Atlantic. The second single, TVC 15, would, a decade later, be heard and seen by almost 2 billion people when Bowie chose it to open his set at Live Aid.<br/><br/>The sound of STATION TO STATION was partly influenced by Bowie's burgeoning interest in the electronic music and driving rhythms of bands coming out of Germany, such as NEU! and Kraftwerk, most notably on the ten-minute title track, while still embracing dancefloor-friendly grooves in songs such as STAY and GOLDEN YEARS.<br/><br/>Harry Maslin, who had worked with Bowie on some of the tracks on his previous album, YOUNG AMERICANS, was chosen as Bowie's co-producer. They entered the studio in September 1975 with a tight stripped-down band featuring Carlos Alomar & Earl Slick on guitars, George Murray on bass, Dennis Davis on drums, David's Childhood friend Geoffe MacCormack (under the nom de plume Warren Peace) on backing vocals and on loan from Bruce Springsteen's E-Street Band, Roy Bittan on piano and organ. Maslin has since said that the vocals on the standout track WILD IS THE WIND and GOLDEN YEARS were both Bowie's first takes.<br/><br/>Ten days after the album's release, David started the ISOLAR TOUR, which visited over 65 dates in 11 countries and is cited as being hugely influential for its use of banks of fluorescent white light set against black backdrops. At the end of the tour, Bowie started work on Iggy Pop's debut solo album, The Idiot, when the pair and producer Tony Visconti moved to Berlin to mix the record. David settled there, ready to begin his next groundbreaking musical adventure.<br/><br/>This new pressing of STATION TO STATION was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.

Iron Maiden: Fear of the dark [2 Vinyl LP]

Jethro Tull: Bursting out/Live [Gatefold / 3 Vinyl LP]

Last year, Clapton hosted and curated the seventh installment of his Crossroads Guitar Festival on September 23 and 24 at the Crypto.com Arena in Los Angeles, CA. It notably marked the event's return after a four-year break, selling out the iconic arena on both days. Once again, Clapton carefully assembled a powerhouse cohort of influential guitarists representing various eras and styles. The impressive lineup boasted Joe Bonamassa, Clapton, Gary Clark Jr., Sheryl Crow, Eric Gales, H.E.R., Christone "Kingfish" Ingram, Los Lobos, John Mayer, The Marcus King Band, Roger McGuinn, John McLaughlin, Santana, The Wallflowers, and many more. Not to forget, Bill Murray served as the evening's "Master of Ceremonies." <br/> <br/>Coming together, the set rotated between blues staples, American Songbook classics, and generational rock 'n' roll anthems shocked to life by this elite six-string consortium.